The Starchild skull is part of a malformed human skull which paranormalist Lloyd Pye had claimed is of extraterrestrial origin. The skull is of a child who likely died as a result of congenital hydrocephalus. Pye claimed the skull to be a hybrid offspring of an extraterrestrial and a human female. Lloyd pye pdf español dentist who examined the upper right maxilla found with the skull determined that the skull was that of a child aged 4.
Neurologist Steven Novella of Yale University Medical School says that the cranium exhibits all of the characteristics of a child who has died as a result of congenital hydrocephalus, and the cranial deformations were the result of accumulations of cerebrospinal fluid within the skull. Further DNA testing in 2003 at Trace Genetics, which specializes in extracting DNA from ancient samples, isolated mitochondrial DNA from both recovered skulls. The child belongs to haplogroup C. Since mitochondrial DNA is inherited exclusively from the mother, it makes it possible to trace the offspring’s maternal lineage.
Paranormal researcher Ben Radford states that often “anything not immediately explainable or obvious is interpreted as a baffling mystery, often with paranormal connotations. Science fiction speculation is fun but should not eclipse the real science and significance of these stories”. Young children with hydrocephalus typically have an abnormally large head, as fluid pressure causes individual skull bones to bulge outward. Alien skull’ star attraction at Leeds extra-terrestrial conference”. Pseudoscience: A Critical Encyclopedia: A Critical Encyclopedia.
Encyclopedia of Dubious Archaeology: From Atlantis to the Walam Olum. The Incredible Unlikeliness of Being: Evolution and the Making of Us. UFOs, Chemtrails, and Aliens: What Science Says. This biography of a living person needs additional citations for verification.
Tony Hatch, Fred Nightingale and Mark Anthony, is an English composer for musical theatre and television. He is also a noted songwriter, pianist, arranger and producer. Hatch was born in Pinner, Middlesex. London Choir School in Wansunt Road, Bexley, Kent when he was 10. Hatch’s composition “Look For A Star”, featured in the film Circus of Horrors, became a Top Ten hit in the UK for Top Rank. A swift succession of events ensued through 1961 that Top Rank was sold to EMI, briefly operated as a subsidiary, with hits by John Leyton, and shuttered, with its artists transferred to other EMI labels. Hatch moved on to a part-time job with Pye Records, where he assisted his new mentor, Alan A.
His production of The Searchers’ entire Pye catalog was significant in that nearly every song was issued in true stereo. After “Valentino”, the first of Hatch’s compositions to be recorded by Petula Clark, he became her regular producer. They collaborated on a series of French-language recordings for Vogue Records. Clark, whose husband was French and who spoke the language fluently, had a successful career throughout Europe. In 1964 Hatch made his first trip to New York City in search of new material for Clark. The visit inspired him to write “Downtown”, originally with The Drifters in mind. When Clark heard the still unfinished tune, she told him that if he could write lyrics to match the quality of the music, she would record the song as her next single.
The song “Call Me”, written for and recorded by Petula Clark in 1965, was recorded by Chris Montez later in the year. In 1964, Hatch was hired to write his first television theme, for the soap opera Crossroads. Though still married to his first wife, Hatch began an affair with Jackie Trent, who had become a frequent songwriting collaborator. This ongoing affair was the inspiration for the song “I Couldn’t Live Without Your Love”. Hatch and Trent were married in 1966. The couple also wrote the song “Joanna”, a hit for Scott Walker. During the 1970s, Hatch and Trent diversified into musical theatre.